An Interpretative Analysis of Aristotle’s Ideal Tragic Hero in Contemporary Indian Hindi Cinema
Keywords:
Indian cinema, anagnorisis, peripeteia, hamartia, narrative, Aristotle, tragic heroAbstract
The enduring significance of Aristotle’s narrative techniques in shaping the Ideal Tragic Hero resonates even in contemporary cinema. This paper critically investigates how Aristotle’s framework for constructing the Ideal Tragic Hero, as outlined in The Poetics, has been adapted to shape male protagonists in the modern Indian Hindi films, Aashiqui 2 and others .It explores the reciprocal relationship between literature and cinema and focuses on characters who exemplify Aristotle’s traits of being neither impeccable in virtue nor wholly villainous but embodying the intermediate kind who undergo hamartia (tragic flaw), peripeteia (reversal of fortune), and anagnorisis (recognition). While certain modern limitations exist, the protagonists largely adhere to Aristotle’s paradigms, illuminating how his classical theories continue to influence modern narrative forms.
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